#Waves ssl 4000 review series#
In the mid-70s they’d come up with the idea of using a computer to automate the desk that they’d designed and built for Acorn, and this led to the launch of the first SSL 4000B series at the Paris AES show in 1977. The seeds of the total recall and automation that we now take for granted were sown at Solid State Logic’s own staff recording facility, Acorn Studios. The SSL desk fundamentally changed the working practices of nearly everyone working in the mainstream music industry from the 1980s. 4.When business-savvy Colin Sanders and his original partner Paul Bamborough started their business developing electronic control systems for pipe organs in churches, they couldn’t possibly have foreseen their incredible influence on the recording process – and the sound of a period in music-making that you either love or hate. The plug-in is aligned so that -18 dBFS = 0. An Input Trim Button enables you to trim the input to the channel by ± 18db. INPUT and OUTPUT switches above the meter allow you to toggle the level indicator between input and output. Level Indicator Levels are expressed in dBFS, although all parameters are expressed as dBu.
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Master Section Controls and Indicators On the bottom right of the SSL Channel Strip are the master gain controls and level indicator. Low and High Pass filters (white knobs): Low pass: 18 dB/octave, 15 Hz – 350 Hz (-3 dB point) High pass: 12 d SSL E EQ Section Controls (top to bottom) 1. CH OUT moves the dynamics to the output of the E-Channel, making it post-EQ. Note that selecting BYPASS does not result in a signal which is flat, but rather one which mimics the flat response of the SSL channel strip hardware. BYPASS will bypass the entire dynamics section. Release time is adjustable from 0.1 sec to 4 seconds. In the Fast setting (F.ATK,) attack time will be forced to 1 ms. When the Attack time switch is set to Slow (F.ATK off,) attack time is auto- sensing and program dependent. The Threshold is variably adjustable from +10 dB to -20 dB. The compressor’s Ratio/Slope can be set from 1 to infinity (limiter). The equalizer can be switched into the dynamics sidechain to afford simple de- essing and other frequency-controlled dynamics processing by selecting DYN S-C at the foot of the section. However, when SPLIT is selected, the low pass and high pass filters are placed before the dynamics processors in the chain. Normally, low pass and high pass filters follow the same path as the entire EQ section. Section is the High Pass (18 dB/octave) filter and the Low Pass (12 dB/octave) filter. Plus, the interface accurately reflects the classic SSL console These processors faithfully recreate the same EQ and dynamics characteristics which made legendary the SL4000 consoles. The Waves SSL 4000 Collection is the result of a partnership between Waves Audio and Solid State Logic. But conventional dynamics and EQ plug-ins couldn’t produce the unique SSL color.
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For years, workstation users have sought this unusual flexibility and signature sound. Waves and SSL engineers have worked together for over a year to recreate the sound ch Engineers of pop and rock music, broadcast transmissions and television post- production value the SSL 4000’s flexible dynamics chain as much as the trademark SSL “punchy” sound. Introduction The unique sound of Solid State Logic’s 4000 Series analogue mixing consoles is sought after worldwide. Waves SSL 4000 Collection SSL 4000 E-Channel SSL 4000 G-Channel 1.